“I still don’t want to see you”
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This week
💦 Gargle returns
💦 New chisenhale curator speaks
💦 Bel Ami, Casual Encountersz, Eckhaus Latta, Jasmine Johnson, Umm . . . , New Theater, Hannah Hoffman, etc.
Events
Has anyone else noticed a wave of new event coverage storming the art world in both new and established publications?! All the more reason to look fab, queens x
🧊 18 March | 6.30-8pm | Gargle with Real Review, Sadie Coles HQ [Oxford Circus]
🧊 19 March | 6-8pm | Joan Nelson, Herald St [Bethnal Green]
🧊 20 March | 6-9pm | Eunjo Lee: Before the Shadow Taught the Sun, Goldsmiths CCA [New Cross]
🧊 Opening 21 March | De Sellokest Swyn, curated by Jermaine Gallacher, The Ragged School [London Bridge]
🧊 24 March | 7:30pm | COY Collective reading series, The White Hart [Southwark]
Hot links
🌺“There’s an art forger, there’s this crazy, coked-up billionaire, there’s the royal family, giant Lithuanian bodyguards and millions and millions of pounds at stake. What else do you need?” – a bonkers read in The Times about Prince Charles’ relationship with a playboy who loaned him fake art for Dumfries House…
🌺 “Fifteen years of government austerity and the restructuring of statutory funding systems in the UK has meant that many institutions have built business models through new forms of international income, which has recast curatorial strategies and impacted which artists have recourse to opportunities to exhibit in local institutions…” – After an incredible stint at Auto Italia, Ed Gillman was announced as Director of Chisenhale, a stone’s throw from his previous digs. He gives a coded scoop about his vision to Frieze EIC Andrew Durbin…
🌺“Five years after Covid, I still don’t want to see you” – an iconic column by the FT’s Jo Ellison on the joys of being antisocial x
🌺“An older lady complains that “her darling” Jordan Wolfson won’t have a piece at the fair” – a gorgeously chaotic diary review of Frieze LA from the mysterious Diva Corp in Artforum… x
🌺“A crypto component is always welcome” – Annie Armstrong captures hearts and minds this week in Artnet with her moving piece about ‘red-chip’ art and the very specific type of person who sustains the KAWS market. God Bless the USA
Add-to-cart
spittle-fave Jonathan Lyndon Chase features in the campaign for this new Y2K Acne bag and we are obviously obsessed. Natch, the campaign is shot by the stunning Sharna Osborne, too
xoooxoooxoxx